Library Music

Cinedelic Srl

Library music, also known as production music or stock music, refers to a collection of musical compositions specifically created for use in various forms of media. This genre is not typically intended for commercial release to the public, but rather for licensing by filmmakers, television producers, advertisers, and content creators. The tracks can range across countless genres and styles, including orchestral, jazz, electronic, ambient, and more, designed to complement visual content and enhance storytelling.

Key Features:
Production Quality: Library music is often professionally produced, ensuring high-quality sound suitable for broadcast.
Variety: The library includes a diverse array of tracks to fit different moods, themes, and settings.
Licensing: Users can license tracks for specific uses, allowing for legal use in their projects. There are often different pricing structures based on the intended use.

History of Library Music
Origins in the 1930s: The concept of library music began to take shape in the late 1930s when British composer and conductor, Lew Grade, started producing music for film and radio. At that time, the practice involved creating music that could be reused across multiple projects.

Post-War Expansion: The library music industry began to flourish in the 1950s and 1960s, particularly in the UK and the US. Companies like KPM (Keynote Production Music) began to emerge, offering extensive catalogs of pre-recorded music available to media producers, which was more economical than hiring composers for each project.

Golden Age (1960s-1980s): During this period, many composers began producing library music specifically designed for easy licensing. High-quality recordings became the standard, and composers developed unique styles that catered to film, television, and advertising needs. This era saw a rise in distinctive sounds such as jazz, funk, and electronic music.

Market Growth: With the rise of television in the 1970s and 1980s, demand for affordable music skyrocketed. Libraries expanded their catalogs to meet the needs of an increasing number of media producers, offering tracks across various genres.

Digital Revolution (1990s-2000s): The advent of digital technology transformed how music was recorded, produced, and distributed. Online platforms started emerging, allowing composers to sell their work directly to consumers and giving content creators easier access to licensed music.

Current Trends: Today, library music is widely accessible through online platforms like AudioJungle, Epidemic Sound, and PremiumBeat. The rise of digital content creation, including podcasts, YouTube videos, and social media, has led to a higher demand for original library music.

Conclusion
Library music has become an integral part of the media landscape, providing accessible and affordable music for various media projects. Its evolution reflects broader changes in technology and media consumption, and it continues to adapt to the needs of content creators in an ever-changing industry. If you're interested in using library music, consider exploring various libraries to find tracks that fit your project’s needs.

As far as collectors are concerned, records of this kind are extremely rare because they were produced in a few copies and not for trade. It was distributed only au media (mainly radio and TV). Therefore, today they are very rare collector's items for vinyl lovers.
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